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You're
traveling through another dimension--a dimension not only of sight
and sound, but of minds hell-bent on the bottom line. You're moving
into a land of both shallowness and substance, of things and ideas
that would make great movies. You're just crossed over into...The
Hollywood Zone!
Meet M. Night
Shyamalan, aged 30, hails from Philadelphia. Last year, he showed
remarkable promise as a filmmaker with an unassuming little movie
called The Sixth Sense. Its phenomenal success can be attributed
to a number of factors, including an excellent screenplay, clever
direction, and top-notch acting, but its strongest point was an
ending so powerful that it would have made the late, great Rod Serling
proud.
Now picture,
if you will, a man who has to follow up on that promise, or he will
forever be known as a one trick pony who made the film with the
kid who saw dead people. Fortunately, Unbreakable, while
far from being perfect, is a riveting, suspenseful, and wholly original
film that marks a big step forward for the confident young director,
and as a result, it will catapult him into the brightest corner
of...The Hollywood Zone!
If you look
up the words "lucky man" in the dictionary, you'll find a picture
of David Dunn (Bruce Willis). After his train derails and kills
everyone on board, David literally walks away from the wreckage
without a mark on his body. Just when he shrugs off the incident
and settles back into his life as a meek University of Pennsylvania
security guard, he receives an anonymous note from Elijah Price
(Samuel L. Jackson), a comic book art dealer who suffers from a
degenerative bone disease. He's convinced that David has special
powers--including a sixth sense--and he tries to help him understand
the nature of his gifts. They form an unusual bond, and David learns
that with great power comes great responsibility--but it also comes
at a price.
Comparisons
are bound to be made between Unbreakable and The Sixth
Sense, and for good reason. Both films star Bruce Willis and
take place in Philadelphia. Both films have a supernatural quality,
and yes, both films have an ending so powerful that it'll knock
you off your seat. But the real question is this--is Unbreakable
a better movie? The answer is, it's just different. It definitely
requires a bigger leap of faith than The Sixth Sense did,
but one thing's for sure--there's nothing else like it, and that
alone makes it an incredible moviegoing experience.
Oddly enough,
Unbreakable has a lot in common with, of all things, The
Legend of Bagger Vance. Both films feature main characters who
have given up on their true potential. Only with the help of mysterious
strangers--both of whom are played by African-Americans--are they
able to ponder the true meaning of their existence. But that's where
it ends. Where Bagger Vance is beautifully shot with an almost
dreamlike quality, the tone of the dark and ominous Unbreakable
couldn't be any more different.
From a directorial
standpoint, Shyamalan tries to outdo himself by using more innovative
camera techniques, and for the most part, he succeeds. But there
are times when he walks the fine line between brilliance and indulgence,
as some scenes go on far too long, while others are laboriously
contrived. Also, the film could have used an injection of humor.
During the scenes where Samuel L. Jackson goes on about comic book
heroes and villains, his claims are so outrageous that it's hard
to take him seriously.
Shyamalan
is obviously taking his cues from the Master of Suspense himself--Alfred
Hitchcock. He layers each scene with so much intensity and detail
that, like The Sixth Sense, it will take repeated viewings
to fully appreciate the film's overall beauty. Also, he doesn't
rush to reveal things early on, and he lets the story unfold like
a painting that can best be appreciated in its finished form. This
may test the patience of today's movie-going audience, and as a
result, initial reactions are bound to be mixed. (It is also worth
noting that, like Hitchcock, Shyamalan makes brief appearances in
his films.)
Bruce Willis
once again proves his acting chops with a performance that is heartbreaking,
liberating, and, ultimately, devastating. He knows that he has a
gift, but unlike Jeff Bridges' plane crash survivor in 1993's Fearless,
he hides from it and takes the rest of his family down with him.
Jackson plays one of the creepiest roles of his career as the comic
art preserver who takes one too many lessons from the pop-art form,
and the power of his performance instantly takes its hold. Finally,
the film may not feature the incredible acting talents of Haley
Joel Osment, but it comes close enough with Spencer Treat Clark
(a dead-ringer for Osment), who gives strong emotional support to
Willis' conflict.
Midway through
Unbreakable, Jackson tells Robin Wright Penn (who plays Willis'
wife with dramatic conviction) to keep an open mind. That pretty
much sums up the entire film. Shyamalan may not cover all his bases
like he did with The Sixth Sense, but like fine art, Unbreakable
needs to be observed, dissected, and absorbed to be fully appreciated.
Take it all in. Don't rush to judgment. Peel back its layered detail.
Give yourself over to the film, and by the time the ball comes back
to you, it'll knock you off your feet and right back into...The
Hollywood Zone!
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