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A
mere two weeks after its domestic release, Disney’s new animated
feature, Treasure Planet, has burned out quicker than the
proverbial shooting star. Why has this much anticipated retelling
of Robert Louis Stevenson’s Treasure Island failed to gain
public interest and left movie houses all but vacant? Disney began
saturating audiences stateside over a year ago with teaser trailers
and print ads. International previews in both France and New Zealand
dazzled viewers and further whetted the palettes of moviegoers this
side of the Atlantic. But despite the usual media-blitz that goes
into marketing an animated feature, Treasure Planet has all
but imploded.
Although the film attempts to combine swashbuckling adventure,
comedic sight gags, and mild romance, these elements never quite
fuse into a captivating epic. The destiny of troublesome teen
Jim Hawkins unfolds when he inadvertently obtains a treasure map
of a fabled island (or planet, in this case). Kindly benefactor
Dr. Doppler intervenes to finance the voyage aboard the Hispaniola,
where Jim befriends the ship’s unsavory half-cyborg cook, Long
John Silver. Following Silver’s lead the ship’s unscrupulous alien
crew mutinies against their stalwart Captain Amelia and hijacks
the vessel in the hope of plundering the legendary treasure. For
the most part producer/director duo Ron Clements and John Musker
have remained faithful to the basic events in Stevenson’s text,
but with the exception of a couple eye-catching action sequences,
there’s not enough meat to keep the viewer chomping at the bone.
The concept of staging Treasure Island in space is unique
in itself and the Disney animators have devised some interesting
reinterpretations of familiar characters but the story never ascends
beyond the doldrums of most animated television fare. Third
Rock From The Sun staple Joseph Gordon-Levitt is passable
as the angst ridden Jim Hawkins and Frasier’s David Hyde
Pierce turns in some light-hearted moments as Dr. Doppler, but
veteran stage actor Brian Murray lacks the necessary vocal ballast
to make Silver a memorable villain. The ever-frenetic Martin Short
elicits a few laughs as the robot version of marooned castaway
B.E.N. (the bio-electronic navigator who holds the secret to
Treasure Planet’s riches). The most effective choice of casting
is undoubtedly that of Emma Thompson who lends her voice to Captain
Amelia with delicious zeal. Thompson’s performance as the feline
alien commander is punctuated by sly ad-libs and a lion-hearted
confidence that would out-rank any Catwoman incarnation.
In keeping
with Disney’s recent trend of hiring pop stars to provide musical
content, Treasure Planet features original songs by Goo-Goo
Dolls front man Johnny Rzeznik. Unfortunately these musical interludes
only aid in further slowing the already ponderous pace of this
opus to a funeral dirge. Attempting to meld modern attitudes with
a classic narrative is a gamble that rarely pays off. To their
credit, Clements and Musker have succeeded in designing a hybrid
universe that is equal parts Jules Verne and George Lucas. Having
offered their audience such a rich visual landscape as a backdrop,
it is rather disappointing to discover the filmmakers could not
produce an equally compelling story.
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