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In
Hollywood, sometimes the cure can be worse than the disease. Take
former star couple Tom Cruise and Nicole Kidman. From 1996 to 1998,
Cruise was stuck in England filming what turned out to be Stanley
Kubrick's swan song "Eyes Wide Shut," a misunderstood and overly-hyped
film that was supposed to do gangbusters at the box office and garner
Cruise his third Oscar nomination. That movie came and went when it
was finally released in 1999, and it wasn't until later that year
that a modestly budgeted film called "Magnolia" earned Cruise (who
spent just three weeks shooting his scenes) his third nomination (for
which he deserved to win) and a heap of critical praise.
Now it's Nicole
Kidman's turn to shine. While the overly-hyped, ambitious acid trip
called "Moulin Rouge" was a beauty to behold, it was just a little
too chaotic to appreciate the power of Kidman's rather stellar performance.
Now, out of nowhere, comes "The Others," a creepy, moody, and intense
haunted house thriller that features a bravura performance from
Kidman--maybe her best ever--and a surprise ending that comes close
to rivaling that of 1999's "The Sixth Sense."
While waiting
for her husband to return home from World War II, Grace (Nicole
Kidman) tends to her big, spooky Victorian house while taking care
of her kids (Alakina Mann and James Bentley), who suffer from a
rare disease that keeps them from being exposed to sunlight. The
house is too big for one person to handle, so Grace hires three
unusual housekeepers (Fionnula Flanagan, Eric Sykes, and Elaine
Cassidy) who bring more to their jobs than meets the eye. Soon after
their arrival, Grace becomes unhinged after hearing strange noises
in the house, and upon closer investigation, she discovers a deep,
dark secret that will haunt her--and the rest of her family--forever.
Comparisons
are bound to be made between "The Others" (which was co-executive
produced by Cruise) and "The Sixth Sense," and for good reason.
Unlike the rest of the summer blockbusters, both movies progress
at a mesmerizing and intense pace, and you can't help but move to
the edge of your seat with each passing scene. Just when they finally
grab you and have your complete attention, you're thrown back into
your seat by genuine scares that come out of nowhere.
Both movies
also feature surprise endings, but where the clues leading up to
the ending of "The Sixth Sense" were very subtle and only revealed
themselves after repeated viewings, the clues to the ending of "The
Others" are much more obvious. Still, that doesn't stop writer-director
Alejandro Amenabar from making the film just as effective, and he
uses lots of fog, flickering candles, and a gothic-style setting
to set the mood in a completely haunting and chilling way.
For a film
that's shot with such a dark atmosphere, Nicole Kidman puts in a
ghostly performance that shines with angelic beauty against the
backdrop of the eternal twilight of the British countryside. Her
relationship with her kids brings to mind the classic book "Flowers
in the Attic," but her demeanor as the over-protective mother is
as sensitive as it is obsessive. Fionnula Flanagan is just as impressive
as the head housekeeper who possesses a lot more than just a good
resume, and Alakina Mann is also effective as the eldest daughter
who's convinced that they are not alone in the house (for what it's
worth, she resembles a young Drew Barrymore).
Without a
doubt, "The Others" has to be the scariest movie to come along since
"The Sixth Sense," and it just may be the best haunted house flick
since 1980's "The Shining." What's unusual is that the film is being
unspooled during the dog days of summer--instead of during Halloween
where it would have been just perfect--but that's hardly a major
complaint. The fact is, in addition to being an "other" worldly
moviegoing experience, "The Others" is the perfect cure for the
disease that's known as the mindless Hollywood blockbuster.
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