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Cop
movies may be a dime a dozen, but corrupt cop movies have
practically become a genre unto themselves in the last 30 years.
After all, who can forget classics like Serpico, The French Connection,
Prince of the City, and more recently, Training Day and
Insomnia?
Well, now you can add Narc to the list. Talk about sheer,
unadulterated power, this low-budgeted drama is so unapologetically
brutal, it makes Training Day look like Lilo & Stitch.
Since it also boasts engrossing, no-holds-barred performances
from Ray Liotta and Jason Patric, the end result is an unforgettable
moviegoing experience that will most likely leave you shell-shocked
when you stumble out of the theater.
After being held responsible for the accidental death of an unborn
child, suspended undercover narcotics officer Nick Tellis (Jason
Patric) is drawn back to the Detroit police force to help investigate
the murder of a fellow cop. He reluctantly teams up with the dead
officer's partner, Henry Oak (Ray Liotta), who he quickly realizes
is an unstable, unpredictable loose cannon on a personal mission
of vengeance. They clash repeatedly throughout the course of their
investigation, but more importantly, they soon discover that the
truth they seek could very well destroy them both.
Narc is not your average buddy picture with corny dialogue
and mindless action. Instead, it is a gritty, disturbing and violent
film with gunfights so loud that your eardrums will be put to
the ultimate test. Writer-director Joe Carnahan may be recycling
some overused cop movie cliches (the corruption, the conflicted
partner, the dedicated wife, etc.), but he balances an unrelenting,
chaotic pace with stylish cinematography with the result that
the film stands on its own.
Though constrained to a micro-thin budget of only $3 million,
the film also succeeds because of a smart script, inspired performances
and an ending that will blow you away. These elements are what
undoubtedly caught the eye of none other than Tom Cruise, who
came on board as Executive Producer in an effort to push the film
and release it through Paramount Pictures (actually, Cruise is
one of 17 credited producers). Otherwise, it might have been stuck
with a smaller distributor and not received the exposure that
it clearly deserves.
After languishing in a bunch of forgettable projects over the
last decade (remember Turbulence or Operation Dumbo
Drop?), Ray Liotta is back in a big way and burns up the screen
with a harrowing performance that will keep you on the edge of
your seat. He immerses himself both physically and emotionally
into his role, and effortlessly balances just the right amount
of brutality, devastation and even sensitivity. Jason Patric also
puts in a strong performance as his conflicted partner, but it
is admittedly similar to the one he gave in 1991's little-seen,
but still very powerful Rush.
Liotta may
have a shot at an Oscar, but considering that Denzel Washington
won an Academy Award last year for the similarly-themed Training
Day, the odds are against it. Still, that doesn't stop Narc
from succeeding as a suspenseful cinematic triumph that practically
redefines the gritty cop drama. And come to think of it, the film
shouldn't just be added to the list of classics, it should probably
top it.
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