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Being
a struggling actor in Hollywood is a lot like dating in the big city.
You have to have a thick skin in order to deal with the constant amount
of rejection, and you may have to go on a lot--and I mean a lot--of
bad dates before you finally meet your perfect match. That is, if
you ever do.
Oh, I'm sorry. Was that too bitter? What can I say, I guess I speak
from experience.
Anyway, after being in the company of struggling actors for years,
Jennifer Westfeldt and Heather Juergensen have finally emerged with
two perfect roles to match their talents. And how did they manage
this rare feat? By doing what Matt Damon and Ben Affleck did with
1997's "Good Will Hunting"-- they wrote the parts for themselves.
While the resulting film doesn't have a shot at duplicating "Hunting's"
$138 million box office (and Oscar-winning) success, "Kissing Jessica
Stein" comes close in other ways by being a charming, funny, and
engaging romantic comedy--with a twist.
Why is it so hard to find Mr. Right in a city with more than 8 million
people? That's the question that hopelessly single New Yorker Jessica
Stein (Jennifer Westfeldt) can't seem to answer. After a string
of horrible blind dates, the fed-up copy editor answers a personal
ad from...Helen (Heather Juergensen), a bisexual art gallery assistant.
Helen is everything that the uptight, neurotic Jessica is not--she's
aggressive, free-spirited, and very much in touch with her sexual
side. Their initial meet-and-greet is understandably awkward, but
that changes when they make a strong emotional connection (over
lipstick, no less!).
Jessica decides to give the relationship a whirl, but she soon realizes
that she is in over her head with some pretty complex issues. Among
them: Does dating another woman make her a lesbian? Should she keep
the relationship private? What will her friends think? What about
her family? How long will Helen have to wait in the shadows before
Jessica finally decides to make the relationship public?
"Kissing
Jessica Stein" deals with gay issues in a broad and commercially
appealing way so that mainstream moviegoers will be able to embrace
it. After all, given the difficulty of meeting the right person
these days, who can blame Jessica for contemplating what it might
be like to bat for the same team? As for whether or not that defines
her sexual orientation, that can't be answered without giving away
too much of the plot. Suffice to say, moviegoers will have plenty
to talk about long after the credits roll.
By adapting their own 1997 play "Lipschtick," Jennifer Westfeldt
and Heather Juergensen have written appealing, true-to-life characters
for themselves while still leaving plenty of room for equally strong
supporting roles. Tovah Feldshuh brings loving, sensitive support
to her role as Jessica's overbearing mother, and Scott Cohen brings
jealous, confrontational realism to Jessica's still interested ex-boyfriend--a
matter further complicated by the fact that they work together (and
he's her boss!).
Try and imagine what would happen if Woody Allen directed an episode
of HBO's "Sex and the City," and there your have "Kissing Jessica
Stein." The film is not without its flaws--there are some noticeable
stereotypes and the ending feels too rushed--but Westfeldt and Juergensen
have done what few before them have been able to do: write for themselves
and entertain others in the process. If your thick skin is starting
to wear thin after seeing too many bad Hollywood movies, then "Kissing
Jessica Stein" should fit the bill as the perfect cinematic match
that you've been looking for.
There, now, that wasn't too bitter, was it?
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