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America
may be hip-deep with the war on terrorism these days, but there was
a time when it was up to its neck with the war on communism. In fact,
it's hard to believe that when the Cold War was at its peak 40 years
ago, the world's biggest superpowers were pushed to the brink of nuclear
war not once, but twice within a 15-month period.
One of those
times was during the well-documented Cuban Missile Crisis of October
1962, but the other was during the nearly catastrophic maiden voyage
of the K-19--the first Soviet atomic submarine--in July 1961. The
details of the incident were kept under wraps until after the breakup
of the Soviet Union more than a decade ago, but the time has come
for Hollywood to take the plunge and tell the story. The result
is "K-19: The Widowmaker," a periodically slow, but ultimately gripping
and suspenseful drama that pays tribute to a band of brothers who
are long overdue for the recognition they deserve.
Captain Alexei
Vostrikov (Harrison Ford) is ordered to take command of the K-19
after its original captain Mikhail Polenin (Liam Neeson) fails to
get it ready in time for an important mission. Polenin stays on
board as Vostrikov's second-in-command, but the two clash repeatedly
over their opposing techniques. After receiving orders to proceed
to its new post 400 kilometers off the US coast, the cooling system
in the nuclear reactor fails, starting a chain reaction that will
result in a massive radioactive explosion. With the fate of the
world hanging in the balance, duty, honor and courage are put on
the line as an entire crew struggles to avert an accident that could
very well trigger the beginning of World War III.
Comparisons
are bound to be made between "K-19" and other recent submarine thrillers
like "The Hunt for Red October" and "Crimson Tide," but for the
most part, "K-19" is not really an action movie. Instead, the $90
million film directed by Kathryn Bigelow ("Strange Days," "Point
Break") is more of a psychological drama that tests the crew's loyalty
to each other, to their country and to the world at large. To that
extent, it's more like Wolfgang Peterson's "Das Boot," the cinematic
masterpiece that captured the claustrophobic feel of submarine warfare
while sympathizing with soldiers who were enemies of the US at the
time.
For better
or worse, the emotional impact of the film tends to be submerged
by unavoidable submarine cliches and its emphasis on staying too
close to the facts. But it is still gripping, especially when you
consider that if the Russians had not faced the deadly radiation
head on, then the K-19 would have exploded, taking out a nearby
NATO base. The US would presumably have retaliated, which would
have resulted in...well, pretty much the end of everything.
As far as
casting is concerned, who better to fulfill the task of making moviegoers
identify with a bunch of communists than the man who played Han
Solo, Indiana Jones, Jack Ryan and even the President of the United
States? Harrison Ford (who also served as the film's executive producer)
takes full advantage of his clout and is rock-solid as the hardened,
duty-minded Captain Vostrikov. Though his slight Russian accent
is a bit jarring at first, you quickly get used to it and root for
him as he gets his crew into shape.
While the
supporting performances are just as effective, they tend to be more
generic and cliched. Liam Neeson provides a decent amount of dramatic
tension as he continually faces off with the tough-as-nails Ford,
but it's the same sort of head-butting scenario that we've seen
before in films like "Crimson Tide" and even "Star Trek: The Motion
Picture" (the latter of which also featured an unready vessel that
was rushed out of "drydock"). Peter Sarsgaard also puts in a solid
performance as the Soviet officer who overseas the reactor, but
the way he is set up as the film's emotional connection seems somewhat
manipulative and contrived.
The first
third of "K-19" may be filled with plenty of edge-of-your-seat thrills,
but it ultimately ends up being a somber and harrowing moviegoing
experience. It is nevertheless an engaging story that needs to be
told, and though it has a melodramatic ending that reeks of "Saving
Private Ryan," it still proves to be quite effective when you consider
what these sailors had to go through and how long it took for their
story to be told. At least with Harrison Ford in command, they couldn't
have gotten a better salute.
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