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Harry Potter and the Chamber of Secrets

  by Helen Stringer
   
   
 

Richard Harris and Daniel Radcliffe in "Harry Potter and the Chamber of Secrets"The test is always the sophomore effort. Last year, at the height of Potter-mania, the first film would have had to be truly dreadful to have driven fans away. But this year, with the fifth book already nearly a year overdue and the background chatter of all things Potter almost silenced, the young wizard faced a stiffer challenge. Could J.K. Rowling's world retain its charm?

Let's put it this way. We'll all be old, grey and forgotten, and kids of future generations are still going to be captivated by the adventures of Harry Potter. Harry Potter and the Chamber of Secrets builds on the foundation of the first film to solidify the world of witches, wizards and muggles and in doing so takes the series into the sanctified realm of such perrennial classics as The Wizard of Oz and Willy Wonka and the Chocolate Factory.

This time, though, Harry and his friends are visibly older and the story is correspondingly darker. Confident of his identity in the first film, this time around Harry is less sure of his destiny and a little fearful of the truth.

The story (for the two of you who haven't read the book) circulates around the existance of an ancient sealed chamber somewhere in the labarynthine depths of Hogwarts. It was found and opened once in the past, resulting in the death of one of the students, and now someone has opened it once more, releasing something that threatens the lives of any student of mixed wizard-human parentage.

Warned to stay away by Dobby the house elf (voiced by Toby Jones), a dismal looking creature who brings chaos in his wake, Harry and Ron find themselves unable to get through the wall to the Hogwarts train on Platform 9 3/4. After an eventful ride in the Weasley's flying Ford Anglia, they make it to school only to find that Hogwarts is being threatened by unseen forces that are reducing its student body and threatening the very existence of the school itself. With even Dumbledore's abilities being questioned, it is up to Harry and his friends to find the Chamber of Secrets and end the mayhem.

The mayhem, it should be noted, includes writing in blood on the walls and an extended sequence with an extremely large number of equally large spiders. Aragog, the giant spider that had at one time been a pet of Hagrid's, does appear in the book but this is one of those cases where a motion picture can bring a scene truly to life. If you have children who are even remotely scared of spiders now, you'd better be prepared for a few nightmares after they see Chamber of Secrets (I know more than a few adults who'll be hiding under the seats, too!).

Daniel Radcliffe puts in another stellar turn as Harry, older now but still some way from being a teenager. He's more confident of his abilities, and more comfortable with being a wizard, but as he is growing up so the threats are becoming more dangerous and complex. Jason Isaacs as Draco's father, Lucius Malfoy, is deliciously malevolent and contributes to the sense that Harry is in the middle of a battle that is being fought on many fronts and has been since before he was born. For the first time, we become aware of a wider wizarding world, of some of the work of the Ministry of Magic, and of the internecine battles being fought by the adult wizards far away from the enclosed world of Hogwarts.

As Harry's best friends, Ron and Hermione, Rupert Grint and Emma Watson both seem more comfortable in front of the camera. Watson, in particular, is blossoming as the fearless and intelligent Hermione. Grint, while still perfect as Harry's faithful friend, has developed a rather annoying habit of grimacing at the drop of a hat. Let's hope that it wasn't at the behest of helmer Chris Columbus and that he'll grow out of it before the next outing.

The rest of the cast are still perfect, particularly the late Richard Harris as Professor Dumbledore (it will be strange to see someone else in the role - so much of his performance was in that wonderful voice). Happily we see more of Alan Rickman as Snape and a softer Maggie Smith as Professor McGonagall. This time around the teachers are joined by a new "Mastering the Dark Arts" teacher, the incomepetent Gilderoy Lockhart, played by Kenneth Branagh who clearly had a wonderful time as the vainglorious self-promoter.

Still, at nearly three hours in length, Harry Potter and the Chamber of Secrets is a long movie for small children. When I saw it, there were the clear sounds of childish restlessness in the last half hour. This was made worse by the fact that the film itself was preceded by 25 minutes (!) of commercials and previews, adding up to nearly four hours in which kids were being expected to sit still. Of course, it should also be pointed out that this is not really a film for small children; in addition to the spiders, there are many other scenes that are somewhat gruesome or disturbing.

Harry Potter and the Chamber of Secrets sticks as closely to the book as the first outing, an aspect that led some critics to accuse Chris Columbus of adhereing too "slavishly" to the source material. Of course, if he had strayed they would have nailed him on that too. There is more confidence in his work here, however. Perhaps the success of the first helped him to relax, or perhaps he is just more comfortable with his material. Whatever the reason, this time around we have a much clearer sense of place both in the school and in the wider society of wizards and witches. There is also less need to explain everything, Columbus and screenwriter Steve Kloves assume that you have already seen the first film and/or read the books so there's no need to backtrack. This could be a problem if you haven't done any of the above, of course, but it does help the flick to maintain a fast pace. With Columbus bowing out of directing duties now and Alfonso Cuaron (A Little Princess) set to take over for Harry Potter and the Prisoner of Azkaban, it will be interesting to see how a change of hand at the tiller affects the tone of the movies, or perhaps a change from the sunny Columbus to the brooding style of Cuaron is exactly what is needed as Harry is increasingly threatened by the world outside.

For now, though, we have Harry Potter and the Chamber of Secrets and it's a rattling good story. The magic is just as matter-of-fact as ever, serving the tale but never overwhelming it, while set pieces like the quidditch match are breathtaking (apparently the sale of besom brooms in the UK has skyrocketed!). But the appeal of Harry Potter has never been simply the magic; it is after all a story about a lost boy who discovers that he isn't lost at all, and about the importance of friendship and truth. And it is these elements that leave you, after sitting in the theater for nearly three hours, yearning to see the next movie, to find out what happens next and to stay in a world where sulky ghosts live in toilets, gardeners keep giant spiders and phoenixes really do rise from the ashes.

 

 
     
 
 
     
 
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